Nothing else has ever looked or felt like director René Laloux’s animated marvel Fantastic Planet, a politically minded and visually inventive work of science fiction. The film is set on a distant planet called Ygam, where enslaved humans (Oms) are the playthings of giant blue native inhabitants (Draags). After Terr, kept as a pet since infancy, escapes from his gigantic child captor, he is swept up by a band of radical fellow Oms who are resisting the Draags’ oppression and violence. With its eerie, coolly surreal cutout animation by Roland Topor; brilliant psychedelic jazz score by Alain Goraguer; and wondrous creatures and landscapes, this Cannes-awarded 1973 counterculture classic is a perennially compelling statement against conformity and violence.
On 1st June, 1967 The Beatles released their ground-breaking studio album…Sgt. Pepper’s Lonely Hearts Club Band.
Described by Rolling Stone magazine as “The most important rock & roll album ever made”, it marked a pivotal moment in the 60’s and went on to become one of the biggest selling records of all time. Combining firsthand accounts of the events with rare and unseen footage forensically unearthed from mainstream archives and private collectors, this new music documentary by acclaimed director Alan G. Parker, picks up on the band as they end their grueling tour schedule in August 1966 (coincidentally following on from Ron Howard’s Eight Days A Week) to return to the studio to record this landmark album.
This insightful and revealing film journeys through various solo projects to the release of ‘Strawberry Fields Forever / Penny Lane’, touching on Flower Power, John Lennon meeting Yoko Ono, LSD, Meditation, Jimi Hendrix, the death of Brian Epstein, Abbey Road Studios and the Magical Mystery Tour.
Directed by Alan G. Parker, an Emmy nominated music director whose credits include: Hello Quo, Monty Python: Almost The Truth / Who Killed Nancy? / Rebel Truce: The History Of The Clash).
Andrei Tarkovsky’s final Soviet feature is a metaphysical journey through an enigmatic postapocalyptic landscape, and a rarefied cinematic experience like no other. A hired guide—the Stalker—leads a writer and a professor into the heart of the Zone, the restricted site of a long-ago disaster, where the three men eventually zero in on the Room, a place rumored to fulfill one’s most deeply held desires. Adapting a science-fiction novel by Arkady and Boris Strugatsky, Tarkovsky created an immersive world with a wealth of material detail and a sense of organic atmosphere. A religious allegory, a reflection of contemporaneous political anxieties, a meditation on film itself—Stalker envelops the viewer by opening up a multitude of possible meanings.